https://www.youtube.com/watch?v=i0GcFMEGOXk

KNLDJ

Hi Marion;

 

Your web site is terrific, thanks for sharing with over a half million people.

 

We want to introduce our Internet radio station KNLDJ to you. I am a veteran of the Korean "conflict" and was stationed at Elmendorf, AFB, Alaska 1951-1953. My duty assignment was as staff announcer and disc jockey for Armed Forces Radio Service. I was just 17 when I enlisted.

 

Over the years my wife Nancy and I have been involved full time with several show business venues not the least of which was the media.

 

In 2007 I suffered a dissected Aorta (with a 2% survival rate) and 8 more heart related surgeries in 11 months. I am not able to do a lot and so I told Nancy I would love to have an Internet Radio Station, so in April of 2011 we signed on the Internet using the call letters KNLDJ and programming 4 hours a day. On 4th July 2011 we started using automation and programming 24/7. Our target audience is veterans and senior citizens and our programming is Old Time Radio shows from ABC, AFRS, CBC, CBS, Mutual, NBC and the South African Radio Network.

 

The programs range from detective shows to westerns, comedies, music shows, dramas, Christian programs and a polyglot of other general programming. We also feature a number of AFRS produced shows like "Carolina Cotton Calling", "G. I. Jive", "Command Performance" etc. All these programs will be on a rotating basis so listeners in any time zone or anywhere around the globe will have a convenient time to listen.

To honor the veterans of WW2 we will be programming 18+ hours (on a rotating basis) of all phases of WW2 from battle field audio, to dramas, archival audio etc. We will also be playing programs and music from the war era including "Fibber & Molly's" special on 7 December 1941, President Roosevelt's declaration of War with Japan and many other historic moments in history.. The programming will start midnight on May 27th and run through May 29th. Then from May 30th through June 4th we will return to regular programming. Our WW2 special will be repeated for D-Day from June 5th through the 7th.

 

We have confirmed listeners in 24 countries. We had hoped to get 100 listeners. That would have been satisfying but we have thousands who enjoy family entertainment.

 

We have no commercials (other than those that are in the body of some of the programs which, of course, are null and void but left in so every program that has the old outdated commercials is historic in every way. We do NOT solicit nor accept monies or donations of any kind. This is our gift and a labor of love.

 

We will hope you find time to give us a listen. Our volunteer staff, other than Nancy and myself, are all professional broadcasters. We have station breaks between each program and accept public service announcements (PSA's) at no charge.

 

Perhaps we could exchange links on our web site. Ours is not totally done. You access KNLDJ via Google or Yahoo by entering KNLDJ then clicking on the link.

 

Thank you for your wonderful tribute to your father and to all veterans as well.

 

Respectfully,

Donn and Nancy Moyer

KNLDJ Internet Radio Free America from Tacoma, Washington, USA.

Vee

http://www.youtube.com/watch?v=EnISioShkVg&feature=related

Vee

Music, news, and entertainment crackled warmly from radio speakers in living rooms across the country—uniting wartime Americans in a common cause and culture.

By Judy P. Sopronyi

World War II was a radio war. Sure, every American city and large town had its daily newspapers. A tide of mail flowed through the nation, many people had access to telephones, and movie showings typically included a newsreel featuring recent wartime footage. But when it came to getting the latest news, there was nothing like radio for immediacy. There was nothing like it for entertainment, either. Every day, all day, Americans could tune in to comedy, drama, and music, along with commercials for local and national services and products. Radio was WWII Americans’ connection to the nation and the world.

The connection could be a weak one at times: reception was iffy. The only commercial broadcasts were on AM; FM frequencies wouldn’t be used commercially until after the war. Jerry Cobb of Austin, Texas, who was just a kid living out in the country near Houston during the war, says reception at his house was worse than iffy—it was lousy. He remembers one day when his dad brought home a new radio: “The reception was so bad he got mad, he opened the back screen door, he just pitched it in the back yard.â€

Radio stations were few and far between in the sparsely populated plains states. The situation in cities usually was better. Marjorie Evans, a stenographer for the Manhattan Project, which developed the atomic bomb, says she and her two roommates in Arlington, Virginia, just outside Washington, DC, got good reception on their radio, though they were so busy they had little time to listen.

Back then, radios had tubes instead of transistors. When you turned one on, you had to wait for the tubes to warm up before you could hear anything. “It took, it seemed like, three minutes, but it was probably more like 15, 20 seconds,†says Cobb. Many had wooden cabinets, and some were luxurious, waist-high consoles proudly placed in the front parlor. The family would gather around the radio in the evening for companionship and entertainment. During the frequent nighttime air-raid drills—when whole towns blacked out by extinguishing outdoor lights and minimizing indoor lighting so no light leaked through windows—listening to the radio was about the only thing there was to do until bedtime. Cobb reports that his dad enforced blackouts scrupulously. “The tubes were kind of like light bulbs,†he recalls. “They would light up in the back, and my dad would always put newspaper over the back of the radio so we could listen to it during the .â€

As popular as radios were, there were still many people who didn’t own one. Ralph Parker, who applied for a radio station license in Lewistown, Pennsylvania, before he went off to war, estimates that only 45 percent of homes had radios. They were substantial purchases, and the years leading up to the war were Depression years. Some country dwellers didn’t even have electricity yet. When production of radios stopped in 1942 as factories were reconfigured to manufacture war supplies, most families without radios remained without them until after the war.

For people who did have radios, the world was theirs. Provided they were willing to fiddle with the dials for a while, and if the weather was just right, they were sometimes able to pick up broadcasts from Great Britain, Holland, France, or (gasp!) even Germany. Mostly, people tuned into whichever station had the best reception.

People turned anywhere they could to find war news as they tried to keep track of loved ones and friends serving in the military. Romayne Leedy of Harrisburg, Pennsylvania, who served as a USO (United Service Organization) hostess and sold war bonds during the war, says that when her future husband, John, was overseas, “I would just scramble and try to listen to everything that was going on in the Pacific.†Evans—the Manhattan Project stenographer—says, “We all knew some of the people that were going overseas, so you always wondered if they would come back.†Other listeners were simply trying to stay informed, to follow the course of their country’s enormous undertaking. The demand for news changed radio news programs from five-minute spots two or three times a day to the half-hour programs that migrated to television after the war.

The first news of the Japanese attack on Pearl Harbor came to the mainland via radio. That whole day, President Franklin D. Roosevelt and his staff monitored radio reports as they formulated the US response. The next day, a few minutes past noon, he addressed Congress, and radio stations broadcast his famous address to the nation:

Yesterday, December 7, 1941—a date which will live in infamy—the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan….

I believe I interpret the will of the Congress and of the people when I assert that we will not only defend ourselves to the uttermost but will make very certain that this form of treachery shall never endanger us again….

With confidence in our armed forces—with the unbounded determination of our people—we will gain the inevitable triumph—so help us God….

Roosevelt’s broadcast words made war a shocking fact. At the same time, they were the first step in rallying Americans around the war effort and reassuring them of his confidence in victory. FDR continued his radio broadcasts as the war unfolded. His series of radio Fireside Chats, which had helped see the country through the Great Depression, were now devoted to the war. The evening after he announced war with Japan, he took to the national airwaves again with the first of these newly focused chats, elaborating on his speech of the previous day:

We are now in this war. We are all in it—all the way. Every single man, woman and child is a partner in the most tremendous undertaking of our American history. We must share together the bad news and the good news, the defeats and the victories—the changing fortunes of war….

To all newspapers and radio stations—all those who reach the eyes and ears of the American people—I say this: You have a most grave responsibility to the nation now and for the duration of this war.

Roosevelt delivered his last Fireside Chat on the war on June 12, 1944, 10 months to the day before his death from a cerebral hemorrhage on April 12, 1945, in Warm Springs, Georgia.

“We had such faith in Roosevelt,†says Leedy. Like many Americans, Leedy also trusted the radio reports of Edward R. Murrow. A correspondent for CBS (Columbia Broadcasting System), Murrow broadcast from London in a style that riveted his audience. His reports took advantage of one of the best features of radio—the listener’s imagination. With Murrow’s help, imagination could put listeners beside him on a London rooftop as air-raid sirens wailed, German planes buzzed in, and bombs exploded.

Murrow gathered a cadre of top reporters to put the war on the airwaves. Many of these journalists—soon referred to as “Murrow’s boys,†even though not all of them were male—would go on to become household names, including Eric Sevareid, Howard K. Smith, William Shirer, and Charles Collingwood. CBS asked Murrow to stay in London to direct its news organization, but he longed to go where the action was. In December 1943, he managed to persuade a British bomber pilot to take him along on a run into Germany. The next day, his radio report was an account of his escapade, called “Orchestrated Hell.†The CBS brass was not happy about the risk he had taken and forbade him from doing it again. Murrow’s coverage of London during the Blitz—Germany’s bombing campaign over England that lasted from September 1941 through May 1942—made the war real for Americans and may have helped reconcile the United States to joining with the Allies. Murrow was well versed in the goings on of wartime Europe. One day in January 1941, he received an exciting call from Harry Hopkins, Roosevelt’s personal representative to Great Britain. Hopkins was in London to meet with Prime Minister Winston Churchill to assess the materiel needs of the British war effort. Hopkins invited Murrow to his suite, and Murrow was delighted at the prospect of landing a terrific interview. Instead, Hopkins spent the time quizzing Murrow about Churchill and other leading British politicians and about conditions in England.

Just about everyone respected Murrow. On the day of the Pearl Harbor attack, he and his wife, Janet, were stateside and had been invited to dinner at the White House. Janet called Eleanor Roosevelt and offered to decline the long-standing invitation at such a trying time, but Eleanor insisted on keeping the dinner date, saying, “We still have to eat.†After the meal, the hosts and guests talked late into the evening, too full of the day’s events to think of sleeping.

Radio supplied plenty of the sort of weighty war news that had kept the Murrows and Roosevelts talking well into the night, but it also gave wartime Americans something else they desperately needed: escape. There was plenty to laugh about and enjoy. Cobb remembers sitting around on Saturday afternoons, listening to Gene “the Singing Cowboy†Autry. “Wrigley Spearmint Gum was his sponsor, and he’d always start out singing ‘I’m Back in the Saddle Again...,’†Cobb recalls. “Fibber McGee and Molly—that was always a funny show. It always started out with Fibber McGee’s closet. He’d open the door and everything would fall out—pots and pans and suitcases and stuff. It came on before The Great Gildersleeve. He was the water commissioner of this little town. I remember Walter Winchell. He’d come on and say, ‘Hello, Mr. and Mrs. America and all the ships at sea.’â€

Leedy was a fan of Fibber McGee and Molly, too, and chuckled when she recalled the things falling out of his closet. That was, of course, courtesy of the sound effects man, who had at his disposal an amazing assortment of noisemakers to evoke footsteps, closing doors, breaking glass, animals, objects tumbling—whatever it took to create the scene in the audience’s imagination.

Radio shows were rated for popularity by the C.E. Hooper Service. At the top of the so-called Hooperatings during the war years were Jack Benny, Charlie McCarthy and Edgar Bergen, The Bob Hope Show, Fibber McGee and Molly, Walter Winchell Commentary, and Red Skelton, in no particular order. People who lived through the WWII years often mention The Shadow as a favorite, but it didn’t make the Hooperratings top 10 from 1941 to 1945. Nevertheless, the eerie crime solver had a 25-year run from July 31, 1930, to December 26, 1954. Radio was the place to be back then, and even movie stars such as Carole Lombard and Clark Gable performed on the airwaves.

Then as now, radio had music—big bands, singers, ensembles, orchestras, whatever you could want. “Don’t Sit under the Apple Tree (with Anyone Else but Me),†“Boogie Woogie Bugle Boy,†and “I’ll Walk Alone†were some of the many war-inspired hit tunes. Music even reached the GIs overseas by radio—sometimes via Axis operatives such as Tokyo Rose, who served GIs in the Pacific the latest American music with a large helping of Japanese propaganda. The smooth swing of legendary band leader Glenn Miller entertained the folks at home and the troops on duty after Miller enlisted in the army in 1942. His Army Air Force Band performed and broadcast in the United States and in England. Like many in the military, Miller didn’t make it through the war; his plane disappeared over the English Channel in December 1944.

Radio in the war years had many sad stories to tell, but it was also one of the country’s greatest morale boosters. If it wasn’t an outright necessity, it was close. Tuning in kept Americans on the road to victory.

...............................................................

Judy P. Sopronyi, an editor and writer who has worked at Early American Life, Historic Traveler, and other magazines, grew up listening to the radio in Hays, Kansas. She vaguely recalls hearing the spooky laugh of The Shadow and trying to imitate it. This article originally appeared in the April 2006 issue of America in WWII.

http://www.americainwwii.com/stories/watchingtheradio.htm

Sgtleo ; You have more questions than " Baby Snooks"

How many of you remember Fanny Brice when she characterized Baby Snooks on radio ?.

The Baby Snooks Show was an American radio show starring comedienne and Ziegfeld Follies alumnus Fanny Brice as a mischievous young girl who was 40 years younger than the actress who played her when she first went on the air.

In 1904, George McManus began his comic strip, The Newlyweds, about a couple and their child, Baby Snookums. Brice did her Baby Snooks character as a 1912 vaudeville act. On February 29, 1936, the producers of the Ziegfield Follies of the Air, where Brice already had a presence, asked her to fill empty airtime with a Snooks skit. Snooks' media career had begun, and the following year, she played Snooks on the Good News Show. In 1940, she became a regular character on the Maxwell House Coffee Time, sharing the spotlight with monologist Frank Morgan.

In 1944, the character was given her own show, The Baby Snooks Show (sometimes known as Baby Snooks and Daddy), and during the 1940s, it became one of the nation's favorite radio situation comedies.

The whole premis of the show was when Baby Snooks would say " Why Daddy"

What a great time to be alive. We would sit on the floor around the radio and visualize what the characters looked like and also their suroundings. We made up our own mind what we wished to see.

I remember back to " Yesteryear " when " The Green Hornet " was #1 with us kids. Every kid who held his breath , week after week, had his own version of what the Green Hornet; his faithful valet, Kato; And the Black Beauty looked like. If there were "whatever millions" boys listening to that show; that was the number of visions held. Each of us had our very own idea of what we "saw".

One of the biggest let downs in my life was when they decided to put the Green Hornet on the movie screen. Us kids jammed into the Great Lakes theater, on Grand River, in Detroit, to see our hero in action. Everything was to our pleasure, till the Green Hornet, sensing that he must act to save the masses from great peril, said " Kato, I think this is the time for the Green Hornet to take action. Get the Black Beauty warmed up. We have a job to do". With that Kato says that he will have the Black Beuty around back promptly. Out the door flies the Green Hornet (into the alley) and enters not a limo, ( but a 1939 ford coup ).

I'd match my childhood with any today. Today, through TV & Movies, everything is programmed to have you see what THEY want you to see. We on the other hand, sat there on the floor and saw what we wanted to see.

If some of you " Whippersnappers " could only go back and listen to some of those(corny) shows, you might possibly understand what the "H" I'm talking about .

You know; If we could talk Marion into it, Why not start up a talk section on " RADIO DAYS" We might entertain a few of youze kids. It would be a whole lot better than watching on TV how----( I lost my virginity or My eractile disfunction).

YE GOD !!!. Let's start using our minds & our imaginations again.

What do you say? With me or Agin me ?

Here I go again. Out on that limb again.

chucktoo